“Construction of Earth’s artificial satellite”
“Refueling the interplanetary ship at the satellite”
“Mars in the skies of its moon Deimos”
“The interplanetary voyagers at Jovian moon Europa”#spaceart by N. Kolchitsky from “The Journey to Distant Worlds” book by K. Gilzin, 1960 pic.twitter.com/0Ml8GFfFde
“The sight of Saturn from its moon Tethys”
“The interplanetary settlement at 1670 km height”
“The interplanetary ship heads to landing”#spaceart by N. Kolchitsky from “The Journey to Distant Worlds” book by K. Gilzin, 1960 pic.twitter.com/gsIgMKUvZD
… the artistic and astronautics components of her work have equal weight. In other words, the art isn’t supplementary. “Calling art supplementary is like calling it decoration,” Pell tells Creators.
“The capacity of an artist is deeper, more complex and culturally significant: stemming from a philosophy of aesthetics and poetics from the sublime to the beautiful and grotesque and everything in between. It is an act, action and activism, a way of being in the world that translates curiosities, insights and provocations about our being in time. It can be invention, experimentation, improvisation, expression, and calculated methodical gesture and mark. Art may manifest in music, movement, the material arts and letters. Art knows no bounds, and therein lays the capacity for new discovery.”
Future missions to the Moon, Mars and beyond will require innovative options to shelter our explorers, and we won’t be able to carry all of the materials with us from Earth. NASA’s 3D-Printed Habitat Challenge, a Centennial Challenges competition, seeks ways to create or develop the technologies needed to create such habitats on-site, and challenges citizen inventors to lead the way. Today, NASA and challenge partner Bradley University of Peoria, Illinois, announce the opening of Phase 3 of the competition for team registration.
“The ideas and technologies this competition has already produced are encouraging, and we are excited to see what this next phase will bring,” said Monsi Roman, program manager of NASA’s Centennial Challenges. “The solutions we seek from our competitions are revolutionary, which by nature makes them extremely difficult. But this only fuels our teams to work harder to innovate and solve.”
The goal of the 3D-Printed Habitat Challenge is to foster the development of new technologies necessary to additively manufacture a habitat using local indigenous materials with, or without, recyclable materials. The vision is that autonomous machines will someday be deployed to the Moon, Mars or beyond to construct shelters for human habitation. On Earth, these same capabilities could be used to produce affordable housing wherever it is needed or where access to conventional building materials and skills are limited.
Bradley University President Gary Roberts said the school is honored to be the challenge partner once again. “Bradley prides itself on experiential learning and student engagement,” Roberts said. “This challenge isn’t something our students can learn about in a textbook or in a classroom. This is a forward-thinking concept coming to life, and they have a chance to see it firsthand. They will meet the people making it happen and learn about the ideas that are fueling innovation. This could change the way they imagine the future and push their creative limits.”
The 3D-Printed Habitat Challenge is divided into phases. The Phase 1: Design Competition called on participants to develop state-of-the-art architectural concepts and was completed in 2015. The Phase 2: Structural Member Competition focused on manufacturing structural components and was completed in August 2017.
The now-open Phase 3: On-Site Habitat Competition challenges competitors to fabricate sub-scale habitats using indigenous materials with or without mission-generated recyclables, and offers a $2 million total prize purse. Phase 3 has five levels of competition. Interested teams may register through Feb. 15, 2018. Full details, schedule and rules can be found here.
Origins-of-life researchers have hypothesized that a chemical reaction called phosphorylation may have been crucial for the assembly of three key ingredients in early life forms: short strands of nucleotides to store genetic information, short chains of amino acids (peptides) to do the main work of cells, and lipids to form encapsulating structures such as cell walls. Yet, no one has ever found a phosphorylating agent that was plausibly present on early Earth and could have produced these three classes of molecules side-by-side under the same realistic conditions.
TSRI chemists have now identified just such a compound: diamidophosphate (DAP).
… some cool pictures of spaceships, I wanted to do something a bit more original than yet another generic sci-fi. I wanted to do proper research, get science and engineering as correct as possible, then do illustrations along with concept and graphic design.
I thought it would be pretty cool to depict how all these planned and never realized missions would look like. Apollo based spacecraft going to Venus, Voyager 3 visiting Jupiter, Saturn and then Pluto. Soviet landing on the Moon. Crewed missions to Mars. Launch of the first interstellar probe. I have started doing research and taking courses about history of spaceflight, where and when it began, where it headed, what space agencies wanted to do and where to go before their funding got cut off. All that research was great inspiration and gave me hundreds of ideas and fueled the development of this alternative history project.
Imagine a world where Space Race has not ended. Where space agencies were funded a lot better than military. Where private space companies emerged and accelerated development of space industry. Where people never stopped dreaming big and aiming high.
Debris is an installation to illustrate the emergence of space debris through decades of space exploration and commercial space use. The installation utilizes a laser to continuously visualize man-made objects orbiting the earth. The orbits of this debris are analysed and then exposed onto two thick paper sheets as a 2D projection of the northern and southern hemispheres.
From the press release:
DEBRIS – a thoughtful piece of laser art to celebrate Sputnik’s anniversary.
German based artist collective PLEX NOIR celebrates the 60th anniversary of the first satellite to reach earth orbit by picturing remains of space missions via ›laser engravings‹.
DEBRIS is an installation to illustrate the emergence of space debris through decades of space exploration and commercial space use.
The installation utilizes a laser to continuously visualize man-made objects orbiting the earth. The orbits of these debris are analyzed and exposed onto cardboard as a 2D projection.
On October 4th, 1957, Sputnik was the first man-made satellite to be launched into orbit. Since then, the empty space of our universe has become a dangerous place for manned space travel in the immediate vicinity of Earth. Almost all space flights leave parts behind, in different orbits and speed. The majority of them fall back to earth within short time to burn up in the atmosphere. However, especially faster parts remain in orbit for many decades. Scientists warn against cascading effects that will become more likely with each additional object and each collision between these objects.
DEBRIS manifests all catalogued pieces of debris in chronological order as tiny, burned-in marks on cardboard. The cardboard is exchanged when the visualisation of one decade of space debris is completed.
DEBRIS is currently on display at Kunsthaus Troisdorf, Germany. Over the course of the exhibition the laser continuously engraves space debris for each decade since the 1960s.
Artist Trevor Paglen is designing a work of art that will go into orbit. The Orbital Reflector will launch as a secondary payload on a SpaceX Falcon 9 in the spring of 2018. In collaboration with the Nevada Museum of Art they have a Kickstarter campaign underway. With 8 days to go, $61,787 has been pledged towards a goal of $70,000goal.
Art is about taking risks. Join us as we become the first artist-museum team to launch a sculptural satellite into space.
A couple of years ago, contemporary artist Trevor Paglen approached the Nevada Museum of Art with a bold idea: launch the first satellite into space that would exist purely as an artistic gesture. The Museum knew that his radical vision — Orbital Reflector — could help to change the way we see our place in the world. Orbital Reflector is a satellite that will have no commercial, military, or scientific purpose. Instead, it will be a public sculpture, visible from the ground without a telescope — a satellite that belongs to everyone.